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In the meantime, here’s some more details about the show:
Artist - Track - Format - Year
Jocelyn Gould Cakewalk So Delighted 2026
Rahsaan Barber The Skipper Eternal 2026
Jimbo Ross Whisper Not Beyond the Groove 2026
Lisa B Ruby Tuesday 60s Magic Now: The Peace-Verse 2026
Ulysses Owens Jr & Generation Y Celebrity Skin Kind of Grunge 2026
Tyler Henderson Tokyo Nights The Long Game 2026
Clay Giberson Upper Road Moment's Notice 2026
Anti Ländesmäki Femton Grader Make Jazz Punk Again 2026
Danny Green Blue Musings Let the Music Happen 2026
Enoch Smith Jr. Imani This is What Love Does 2026
Fumi Tomita Jazz Orchestra Kiyomuri Yokai: Songs of the Japanese Supernatural 2026
Charles Hines Jazz Orchestra Carry On Along the Way 2026
Daggerboard & Erik Jekabson Orchestra Ugly Beauty
The Axes Volume IV: Live at the Hillside Club December 19 and 20, 2025 2026
Gordon Goodwin's Big Phat Band Hunting Wabbits 25 Years of Phatness 2026
Mike Dana Jazz Orchestra Confluential Farther (Still) 2026
Bevan Manson/Ashley Hoyer/Channel Islands Chamber Orchestra
Channel Islands Orchestral Suite: Overture Echoes of the Land 2026
Bevan Manson/Ashley Hoyer/Channel Islands Chamber Orchestra
Channel Islands Orchestral Suite: I. Santa Cruz Island Echoes of the Land 2026
Bevan Manson/Ashley Hoyer/Channel Islands Chamber Orchestra
Channel Islands Orchestra Suite: II. San Nicolas Island Echoes of the Land 2026
Todd DelGiudice Horses for Courses Mas Alto 2026
Bobby Watson Karita Continuum 2026
JD Allen Lil Lullaby SÖWT 2026
Kirk Knuffke/Marilyn Crispell/Thommy Andersson Brightness Paintbrush 2026
Jason Kao Hwang Human Rights Trio Second Life Second Life 2026
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In Jeff Turton's words...
"I have spent 35 years programming Jazz on Boston radio stations. Starting in the late 70’s at public radio station WBUR and at Emerson College at WERS. I did fill-in work at WGBH for a couple of decades for people like Eric Jackson and Ron Della Chiesa and in 1983, along with a bunch of radio professionals with big dreams, we got Boston’s first Alternative Rock station off the ground (though we didn’t really know what we were creating in the beginning because there was not an alternative format at the time) . He programmed Jazz on Sunday’s for 8 hours each week for more than 27 years. The program was very successful because of the hybrid approach we took to the programming of the music.
I have always thought that music thrived at the Crossroads, where many influences converge and develop and then move off on their own to provide their own perspectives. The Jazz Brunch was the only show on Boston radio that actively brought the influences from Latin America, the Caribbean and Africa into the music mix and drawing their parallels to Jazz. Jazz Crossroads will also journey to New Orleans during the last hour.
New Orleans is truly the crossroads for music in this country. It has an incredibly unique culture with influences from Africa and the Caribbean and the beginnings of Jazz at it’s heart. I have spent the last 20 years since Katrina deeply involved in learning about that music and culture and am hoping it adds a little spice the Jazz Crossroads mix.
I am a recording engineer when not wearing my programming hat. I have spent much of that career in recording studios in the 80’s and then in newsrooms across the public radio system providing production help and also working with shows providing content for public radio. I have also spent many years in the TV and Sports production world as both an A1 and A2 engineer. These were my Crossroads and I like to think they have all added to my individual approach to music programming."
Feel free to get in touch with Jeff via e-mail to let him know your thoughts about his show or even if you just fancy a shout out! jeff@soulandjazz.com.
Stereo, not stereotypical
Enjoy!
